In Movement Festival
Anne-Cécile Chane-Tune transforms choreography into a living painting, where bodies confront materials. Using a graphite tip, she draws indecisive curves on a “canvas table”. She steps away from it, then returns to it, moving around it, shoving it, endorsing it. Body and object seem to magnetise. Plastic art becomes an extension of the movement.
This solo invites the audience to be guided by their own perceptions and to step into a moving, poetic landscape, steeped in humour. It questions the common roots of our ancestors and the converging movement between humanity and plant life.
In this poetic, pagan ritual, the choreographer melds with her environment in a free, inspired energy.