Les Brigittines

Marthe Krumenacher and Paul Girard cross the entire play tied together by an obsessional interplay of knots, fluidity and tension, in a lyrical purity and freedom constantly stirred by constraint. The musicality of the movements, their clear composition, reflect on our own affinities, on all the things that can unite us or separate us.

As a true master weaver of movement, the choreographer uses creative drivers that are as concrete as they are impalpable: immediate intuition, shifting forces, collision, infinity versus the music of the moment, thus rendering the complexity of our affiliations and our relationships legible and enchanting.